Family Tree/The Observer Magazine

The Observer Magazine/Show and Tell/This Week: Pet Shop Boys/21 February 2010.
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Design Week/Features

'Equally at home with high or low culture, Tal Rosner works across film, fine art and graphics to deliver pieces for concert halls and youth TV. Dominic Lutyens tracks down the London-based Israeli with a love of the abstract.'

Design Week/Profile and Cover/Volume 25/Number 4/28 January 2010/'Hitting a high note/movie maestro Tal Rosner' by Dominic Lutyens.
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Shots Magazine/Muse Media

'Rosner has presented his work around the world...but despite its diversity, there is something that links it all: his unique visual eye. Rosner's films are all strikingly different form other work and quite hypnotic.'

Shots Magazine/Interactive Content/Special Feature/Issue 114/May 2009/'Muse Media' by Belinda Archer.
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Timeout London/In the studio

'Tal Rosner is a Bafta-winning artist and filmmaker whose commercial and personal projects combine multiple layers of sound, music and visuals.'

Timeout London/March 19-25 2009/Art Section/In the studio with Tal Rosner by Helen Sumpter.
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Without You

‘There is this really distinct composition of star-speckled noises, someone driving, someone shouting…It really reflects what I’m trying to do, to capture the feel of the place, I think that people are now becoming much more aware of the technology, and I like that people know how to do things…what it actually takes to make X or Y.’

Dazed and Confused/HEAD 2 HEAD/Vol. 2 Issue 65/September 2008/’Artists Tal Rosner and Emily Richardson Take Animation to a New Level’ by Francesca Gavin.
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Skins/BAFTA

‘Snaring any BAFTA is an achievement but for Television Craft award winner Tal Rosner, it’s just the beginning.’

Academy/BAFTA Magazine/Vol. 3 Issue 3/August 2008/’24-SEVEN’ by Anwar Brett.
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In Seven Days

‘Rosner's previous projects have included animating Stravinsky as part of a mesmerising DVD with the Labeque sisters, and the title sequence for the television series Skins, which earned him a Bafta…Judging from the extracts that I was shown…Adès’s music is magnificently expressive, and Rosner’s images complement it wonderfully, tracing a journey from chaos to form.’

The Daily Telegraph Review/19 April 2008/’Disney's Fantasia - the sequel’ by Peter Culshaw.
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